Poster by Max Clibbon
Poster by Max Clibbon
LA BOHÈME
Nov - Dec 2024 Safehouse 1 Peckham, London
Our La Bohème was a semi-immersive opera experiment, as we swapped the snowy streets of Paris for a Peckham Pub. Our adapted, chamber production of Puccini’s beloved La Bohème took place in a derelict house in South London. The enduring story of friendship and love brought to life around the audience by candle light.
Director: Laura Hounsell
Conductor: Oleksandr Filiak
Creative Producer: Jack Sullivan
Costume Supervisor: Jessica Padday
Pianist: Jack Wood
Mimi: Maggie Vaz Neto
Rodolfo: Andrew Woodmansey
Marcello: Tim Bagely
Musetta: Erin Alexander
Schaunard: Rob Brooks
Colline : Thomas Stevenson
Alcindoro: Gerald Dovey
Cast
Rodolfo
Andrew Woodmansey is a freelance Tenor studying for a Master’s degree under Neil Baker at Trinity Laban, supported by the Elliot Rosenblatt Memorial Scholarship, The Kathleen Kreed Scholarship, and the Prowdes, Williams, and Zobel Trusts.
Andrew has a particular interest in contemporary opera and concert works, having recently played roles in operas by Harvey Brough, Libby Larsen, Errollyn Wallen, Mark Springer and Michael Gordon, among many others. These included appearances with the Tété a Tété Opera Festival, Trinity Laban Opera, Oxford Alternative Orchestra, Hive Opera, and the Playground Theater.
They have also performed widely in the cornerstones of the classical canon from opera, with Roles including: Rodolfo (La Bohéme), Don Ottavio (Don Giovanni), Tamino and Monostatos (Die Zauberflöte), Spoletta (Tosca), Abdallo (Concert Nabucco), Bill (a Hand of Bridge), Frederic (Pirates of Penzance), along with several small roles and Choruses, including Götterdämmerung Chorus at the Longbourough Festival this year, and in Merry Opera‘s Staged Messiah.
Concert performances have included: Solo appearances in Haydn‘s Creation, Handel‘s Messiah, Beethoven‘s 9th Symphony, Handel‘s Ode on St Cecilia‘s Day, Bach‘s St John Passion (Both Evangelist and Arias), Stainer‘s Crucifixion, and Mozart‘s Requiem, at venues including Cadogan Hall, PAC Mumbai, St John‘s Guernsey, Christchurch Priory, and Holy Sepulchre, London.
Mimi
Maggie Vaz Neto is a Portuguese soprano based in London, England. She is in love with contemporary and modern music, but still saves a special place in her heart for Romantic opera. She performs a wide range of repertoire, both as a soloist and as a member of the Philharmonia Chorus. Maggie’s regular engagements also include a choral scholarship in Christ Church, East Sheen, being a cantor in St Mary of the Angels, in Bayswater and giving private singing lessons.
With the Philharmonia Chorus, she has performed in the Royal Albert Hall, the Royal Festival Hall, Bold Tendencies, in Peckham Rye, among other places.
Maggie regularly collaborates with composers. Recently, she has co-founded the new music focused New Contemporalis Ensemble with the composer Margarida Gonçalves. This
ensemble is focused on collaborating with other musicians and artists in search of creating
concerts that aim to be approachable experiences of new music for first-time audiences, while keeping the essence and intensity of the music.
In opera, she has recently created the role of Brízida in Margarida Gonçalves’s The Acts of Brízida Vaz, premiered in the Tête-à-Tête Contemporary Opera Festival in September 2024.
Upcoming performances include the solo performance of Brahms’s Ein Deutsches Requiem, with the Bournemouth Symphony Chorus and the Magna Sinfonia Orchestra, in Lighthouse - Arts and Entertainment, Poole; a recital with the Musicians of London, in St Mary with All Souls, West Hampstead; all in November this year; and her debut as Mimì in Giacomo Puccini’s La Bohème in a Bread and Bus Production, in Peckham, in November and December this year.
Schaunard
Rob Brooks is a baritone from Hertfordshire, UK.
Rob has performed in the chorus and supporting roles in a variety of productions with the Royal Northern College of Music and the Dorset Opera Festival, including Cosí fan tutti (Mozart), Street Scene (Weill), The Merry Widow (Lehar), Le Cid (Massenet), La bohème (Puccini), Le comte Ory (Rossini), Faust (Gounod), Macbeth (Verdi), Eugene Onegin (Tchaikovsky), L’elisir d’amore (Donizetti), Un ballo in maschera (Verdi), Le Docteur Miracle (Lecocq) and Le nozze di Figaro (Mozart). Rob is delighted to be making his return to the stage in Bread and Bus Stop’s production of La bohème.
Since graduating from the Royal Northern College of Music in 2017, Rob has dedicated much of his time to developing his expertise across the arts, charity and education. Currently part of the Development Operations team at the Royal College of Music, Rob previously managed operations at the charity Future Talent, which provides performance and development opportunities and financial support to young musicians from low-income backgrounds, and was Chorus Manager at the Dorset Opera Festival.
Besides opera, Rob enjoys performing music from the musical theatre and big band repertoires and is a budding voiceover artist.
Marcello
Dorset born baritone Tim Bagley completed both his undergraduate and postgraduate degrees at the Royal Northern College of Music. His recent opera highlights include Guglielmo in Così fan tutte (The Da Ponte Opera Festival in Vittorio Veneto, Italy), Timour in Le Roi de Lahore (UK Stage Première at Dorset Opera), Marchese D’Obigny in La traviata (Oxford Opera), and Capellio in I Capuleti e i Montecchi (Red Earth Opera). Most recently for the Dorset Opera 50th anniversary festival he premièred the role of ‘Robert Penny’, which was written specifically for him, in Paul Carr’s new opera Under the Greenwood Tree.
He has also sung the roles of Leporello in Don Giovanni (Lyric Opera Studio Weimar), Zuniga/Dancairo in Carmen (Opera Loki), and the title role in Le Nozze di Figaro (Opera on Location). He made his television debut singing 2nd Prisoner in Fidelio for the BBC Proms at the Royal Albert Hall. He has sung in the chorus and performed roles with Grange Park Opera for five seasons, and regularly sings with the Edvard Grieg Kor for Bergen Nasjonale Opera in Norway.
Musetta
Award-winning soprano, Erin, is a highly sought-after Oratorio performer. She made her debut stepping in for Catherine Bott in Pergolesi’s Stabat Mater. She has since performed at the Vatican, Mozart’s virtuosic Exsultate Jubilate for the Orpheus Sinfonia, Haydn’s Nelson Mass, and Mozart’s Requiem for the London Festival Chorus.
Operatic roles include Zerlina (Conservatorio Luigi Cherubini), Despina (Cardiff Opera), Adele (Opera’r Ddraig), Frasquita (Opera Loki), Barbarina (Random Opera), and Mrs Fiorentino (RWCMD). Erin recently covered the role of Gianetta at the Celebrate Voice festival, and she is looking forward to performing Musetta in this production of La Boheme.
Passionate about making Musical Education accessible to all, Erin works as Head of Music for the Merlin School and delivers workshops for the London Mozart Players. She also works for The Amber Trust, which provides musical opportunities to blind, partially sighted, and neurodivergent children.
www.erin-alexander.com
Colline
Aspiring baritone Thomas Stevenson trained at the Royal Conservatoire of Scotland, completing a Masters in Vocal Performance in 2020. He has sung in amateur and professional productions of oratorios, operas and choral works since 2010.
This year’s engagements include Dr Bartolo in Opera Anywhere's Nozze di Figaro, Joseph in New Sussex Opera's Bethlehem, and Clarence in Harriet Bushman's setting of Richard III. He hopes to continue performing for the rest of his life and is grateful for music making opportunities.
Alcindoro
Gerald Dovey is a baritone studying at the Royal Conservatoire of Scotland. With a strong connection to his country roots, he delivers performances full of warmth and sincerity. He has sung with the Dorset Opera Festival chorus for three years and recently performed as part of the chorus in the Celebrate Voice Festival. Gerald also worked with mezzo-soprano Karen Cargill during her course at Drumlanrig Castle. He is now preparing for his first role, Alcindoro in La Bohème, marking an exciting step in his musical journey.